Sunday, March 22, 2015

By The Sea

Image of a guy looking at the ocean, a drawing I did time ago, sharpie and fine point Pilot markers on paper. I hope everyone is having a happy weekend.

Friday, March 13, 2015

Renaissance Warriors

Another action (pre-action actually) piece. Whatever happened next... It was just a fun to do exercise, isn't it great when you just can go at it without having to think about the previous or the posterior shot and draw for the moment?

Saturday, March 07, 2015

Ye Ole Pirates' Days

Well, it's certainly been a while! …so hectic lately. Here are a few sketches I did for a graphic novel style story i did in collaboration with my friends and phenomenal talents Marcelo Vignali and Armand Serrano. That was a long time ago now, when the three of us used to work at Sony Animation together. I hope everyone is fine and enjoying the weekend!

Friday, November 28, 2014

PENGUINS OF MADAGASCAR!

I just saw the film at our usual studio screening, and boy -I did have fun-, to the usual charm of these little fellows add a fun story, tones of action, phenomenal art direction, and certainly lots and lots of clever humor. I also love the use of so many varied and cool locations -a la- James Bond, same with the gadgets and devices used by bad and good guys alike. Here are a few pieces I did for the film long time ago, just preliminary sketches or the port and some alleys in Hong Kong which at the time was to be one of the locations. I hope you see the show and have a great time too!

Saturday, June 14, 2014

HOW TO TRAIN YOUR DRAGON 2

And so the big weekend arrived, Ive been waiting for this one myself for quite a long time! I saw the studio screening recently and it looks stunning, with phenomenal story and characters. I did some 200 cinematography pieces for lighting and compositional inspiration, here are six of them, ...I'll post some more in the near future!

Saturday, April 26, 2014

Life Drawing and Magazine Article

It had been quite a while, years actually, since I last went to life drawing sessions. Karl Gnass is now having one of his phenomenal seminars at the Studio, so here is one of the drawings I did the other day. Also, 'Drawing' magazine just came out with their spring 2014 issue which features an interesting article about artists who use ink, and as you'll see I was invited as well to show some of my work. The article is by Charley Parker.

Thursday, April 17, 2014

Street sketches and Carl Potts seminar

Hey everyone, from no posts in a long time to two posts in a row! These are some "passer by" sketches i did around Christmas 2008 at a shopping mall with some friends. Fun!. Also i just knew Carl Potts will be giving a seminar on visual storytelling at the Society of Illustrators in NYC on May 1st at 7:00 pm (you can find more details here). Enjoy if you have the chance and are around beautiful NY!

Tuesday, April 15, 2014

2003/1995

These are two pieces dating from some time ago. The 'Sherlock' image is an illustration I did to keep 'my fingers agile', as a guitarist friend of mine would say. The horseman is one of the many sketches I did years ago for a historical adventure project that eventually would evolve into 'Trail Of Steel'.The big temple design at the very background is directly taken from the cathedral in my hometown Palma de Mallorca.

Tuesday, March 11, 2014

'Framed Ink' currently being reprinted

Hi everyone, for those of you interested to know, 'Framed Ink' is currently being reprinted so it will soon be up and running in Amazon and everywhere else. Thanks!

Monday, February 17, 2014

Bob Godfrey

I just received an email from the Union. It reads "an afternoon of remembrance", and then it details a list of the animation people that died last year. I went through the list and I just said a big 'Oh no!' when I read the name Bob Godfrey. My mind went back to London in 1991, almost like in that famous scene at the end of the film 'Ratatouille". In April 1991 I decided to go to London looking for work. In a matter of weeks I had seen almost two hundred companies and still not getting anywhere. The 'creative directory' that I used as my guide provided me with yet another name and address, Bob Godfrey in King's Cross. So I headed there. He wasn't expecting me as I hadn't called before, I just tried my luck. He attended me -very- well (not everyone you meet in this type of adventure does) and asked me to come in. He really took his time to go through my portfolio. He was very complimentary and told me "I don't have work for you right now, but Spielberg is making an animated film these days in London". He gave me the studio's phone number and told me "go there, I'm sure they will give you work". And I called, and they did. Without his advice my life might have been very different, I might not be where I am today, my wife wouldn't be my wife, and my daughter wouldn't be my daughter. I don't even want to think about it. Thanks Bob, and rest in peace. (picture from 'The Guardian' online)

Tuesday, December 10, 2013

TURBO (4)

Two more pieces from my work in "Turbo". First is an early proposal I did for a full lighting script of the movie (second frame from top right hand corner -freeway shot- by Mike Issak). The other image is a composite of some of the enlarged frames. Just in case I don't have the time to post anymore before Christmas, Happy Holidays everyone!

Saturday, December 07, 2013

Ol' Project and a Northern Storm

Two sets of sketches I did back in 98 for a graphic novel project that is still somewhere in the back of my head, …"one of them" actually (one of them projects, not one of them heads). They were made with a brush tipped marker I don't remember the name or brand of, but they were great! Finally, one panel out of my storyboard for the opening sequence for "Asterix and the Vikings", fun project with a fantastic team at A-Film in Denmark.

Tuesday, December 03, 2013

Great book by Carl Potts

A new book from DC comics written by Carl Potts recently came out, "The DC Comics Guide to Creating Comics: Inside the Art of Visual Storytelling", which by the way I'm very happy to say features a page of my artwork, a page selected out of the original work I did for Framed Ink. Carl is an incredibly, hands on, experienced professional that has been in the comic book industry for many years as an artist, writer and editor, having been the mentor to some of the big names of these days including Jim Lee, Whilce Portacio and Mike Mignola. This book offers a very concise look into the specific world of comics, getting into the detail of the essentials and building up from there, the way to make sure all the information is explained clearly step by step and therefore prove useful to the reader. In this specific narrative media, as in any other, the understanding and learning of such 'grammatical' rules is essential, so that we can then own them and play with them to our advantage when it comes to telling stories, sometimes by sticking to them, sometimes by breaking them while knowing why and how to do it. Besides the visual / artistic side of the trade, Carl also drives you through the basics of how a script works. To put everything into work under a very practical light, the last chapter of the book basically sums up all knowledge and theory explained in the book through the eyes of four different professional artists (including Carl himself) by proposing a three page sequence exercise in the shape of a script that each artist fleshes out and puts on paper in their own personal way. It is great to see how each mind works and how the same script can be visualized in different ways to accomplish the desired narrative goals. The chapter does not only provide the reader with the final artwork, but also with the sketches and the actual thought process each artist went through to get there, which is always the core of the whole thing. I hope you enjoy the book as much as I did!